The longtime bassist and collaborative songwriter for Horror Punk/Deathrock legends Penis Flytrap, Lucifer Fulci was born at the dawn of time in the city of Dunwich, October 31, forming the group with Elvorian Von Spivey, Hal Satan and Dinah Cancer sometime after moving to Los Angeles circa 1994. He subsequently worked as a bodyguard, production assistant and film editor for Hammer Filmworks, concurrently partnering with Penis Flytrap through several cult-classic indie releases. By the time PFT released the critically respected “Dismemberment”, Fulci found himself a full time Gorehound, shooting a variety of underground horror shorts and documentaries as well as writing for Ultra Violent magazine and even penning his own novella called “Siki City,” which has often been referred to as one of the sickest, most disturbing books ever written. ( The late and great horror aficionado, Chas Balun- a close friend of Fulci- even penned the introduction to his book ). Never to be one to sit about with less than a handful of projects in progress, Fulci created and co-hosted ( with the ever seductive and spooky Mistress Persephone) the multi-media horror convention called SPLATTERPALOOZA  and with PFT continued to play, tour and write music for horror films and the like, most notably the Dave Parker directed genre love letter, “The Dead Hate the Living!”.

By Halloween of 2000 Fulci had begun to construct a side project and made his debut to the extreme metal scene with  WORMFOOD. Originally slated to contribute the title song to the ill fated zombie film “The House of the Dead”, WORMFOOD instead found itself tabled when conlicts of interest arose with other endeavors.

Soon thereafter, the original Penis Flytrap disbanded. Fulci and Von Spivey attempted a new version of PFT for short while ( at one point including Rob Zombie’s very own Dr. Satan ( Walter Phelan ) from “House of a 1000 Corpses” and Abby Noxious from the Los Angeles spookshow The Order of the Fly ) but discontinued it for personal reasons. Phelan and Fulci continued to play together with newer members Syren Strange and The Aberration ( Elisa Berlin ) in a reformed unit called FLYTRAP but discontinued when Fulci sought isolation in  the deep woods of Michigan.

After 3 years of silence, Fulci returned to the horror scene with 3 musical endeavors: WORMFOOD: the extreme metal project with supernatural elements as a main ingredient, The Fulci Music Project: a musical mesh of soundtrack, industrial,  experimental progressive and straight forward rock and a reformed FLYTRAP: A musical journey into the heart of horror.

2010 saw Lucifer Fulci at his most active in years, with CD releases of “Cthulhu Rising” by WORMFOOD, “Morbid Mechanics” by The Fulci Music Project and “The Grand Guignol” by FLYTRAP.

By 2012, Lucifer had done away with all other band titles for his work, simply labeling all things “Lucifer Fulci.”  With that spookafied pseudonym at the top and the titles of each album reflecting the tone of the work, Lucifer has re-released the 3 WORMFOOD offerings as well as MORBID MECHANICS under the solo moniker. In addition, Fulci has released an all instrumental progressive rock CD called “Aurora” and a full on supernaturally charged metal CD called “Evilution.”

In April of 2012, Lucifer Fulci released the book ” A collection of Horror: Fiction, poetry and lyrics for the damned” as he hosted the Flint Horror Con created event, “Dr. Macabre’s Musical Massacre”- sponsored by SYNAPSE films. Only days later, “A Diary of Sobriety” was released under Fulci’s actual name, David Stashko. He continues to write and record, with 2012 and 2013 revealing the works of music called “Samhain,” “Red Tenebre” ( with Loren G3, with whom he is also creating an all horror graphic novel ) and an all horror soundtrack album set to coincide with his sequel to 2000′s horror fiction sickness “Siki City” titled “Siki CIty 20666″. In addition to that fiction, 2012 will also see the release Fulci’s love letter to splatter cinema titled “20 Chunkblowers that Splattered the World.”

The legendary archangel also hints at a Grand Guignol type show that meets postmodern horror arts and technology that he is developing for the live stage and film. Summon the Demon.